Images and timelapse from the stormy Isle of SkyeRead More
~ A brutalist icon interpreted through dance and music ~
I wanted to try something more than just photos. Photos of architecture or scenery are often better with people in them I feel, naturally this is even more the case with video.
I found angles and spots I liked around the love-or-hate-it brutalist National Theatre (I love it of course), timed the shoot (as much as possible) so the sun was in a good position, then the girls designed dance movements to interpret the space. Konstantina (in black) improvised and directed movement (and danced). Ivana (in white) has collaborated in several other photo/video shoots previously.
Phil once again composed wonderful music specially for the video. He had actually composed a test piece inspired by the building and my photos of it, then adapted it to the dancing once the video was complete. (He also composed the music on this piece).
If you are an architect or building manager/owner with a spectacular space that would suit interpretation through dance and music - please get in touch!
Another collaboration with Allan Burr of Moonwater Media and Nim Design to film a 20-minute documentary-style corporate film for Barnsbury Housing Association. This was to celebrate their 50th anniversary of providing affordable housing in Islington and involved several interviews.
Like many projects these days I also provided photography of what we were filming - portraits of interviewees and architectural shots of the buildings. I introduced Barnsbury to Adam Bailey of Kingfisher APS so he could do some aerial surveying they needed - and supply some great bird's eye footage for the film!
Short intro section below, the full-length film is on Barnsbury's website.
Merry Christmas to those who celebrate it!
For all of you, wishing that 2018 brings you peace, success in your endeavours - and perhaps even a little levitation...
If the cinemagraph above isn't loading for you, see the video version on YouTube here.
A new town centre with shops, entertainment, commercial space, Apple's European HQ; new homes (yes, including affordable housing); thousands of new jobs; Northern Line extension; Thames clipper service has already started; and especially, a rejuvenated, spectacular power station (think Tate Modern on steroids) - all designed by world class architects...
A timelapse/video I filmed a few weeks ago at Circus West, Battersea Power Station. Remember to click '4K'.
Wishing you a fun Festive Season and best wishes for 2017.
I just shot another website welcome video, this one for Harsha Perera, an executive coach. It has come to the point where one MUST have video on one's website, or it will be conspicuous by its absence, and slip down Google's SEO rankings.
It's on his YouTube channel and embedded on his website front page.
YouTube is the second most popular search engine in the world. It is owned by the No.1 search engine of course - Google. Hence the value in using a YouTube-Google link.
Choosing a location and equipment:
We filmed this in the park on a windy day with the usual Heathrow-bound jets passing overhead, yet we still got a peaceful scene for filming.
The lav mic (lapel mic) is magic for getting great quality sound in noisy settings - part of the RODE radio transmitter set, it's one of my best video-gadget purchases. Another RODE mic (simple shotgun) was on-camera to give good reference sound for synchronising and back-up. On the second camera I just made do with the built-in mic, again just for reference/synchronising purposes.
The behind-the-scenes shots below show that at first look it doesn't seem the most attractive spot. However, it was sheltered from the wind and the natural light came in at a nice side angle (as opposed to overhead). With zoomed composition, it actually looks good.
Pros and cons of shooting outdoors
In this case we didn't need extra lighting or external power. (Often still used for outdoor shoots if there's the budget of course). I had some reflectors with me but didn't use them either in the end. I chose the location partly for the sheltered directional light.
It was a suitably peaceful, natural setting, that matched the style of the profile photo I had shot of Harsha a few months previously (on the first page of his website).
We also didn't need to spend money hiring a studio. Shooting in a client's home or work environment is also a good option (depending on space, light, noise), but wasn't the look we wanted in this case.
One is at the mercy of the weather. The sun came and went behind clouds which you may notice in the video. This can create problems with changing exposure/colour, but wasn't a big problem after some minor adjustments to video footage in editing. Strong wind can also potentially make sound recording tricky. Choose weather, time of day and location to deal with this issue. Sometimes using a studio or other indoor location is a better solution.
Noise and other distractions - once or twice we had to pause when overhead jets became a little too loud. We were in Clapham Common, many parts of London have this problem to a greater or lesser extent. However, as mentioned the lapel mic mitigated this problem pretty well. The closer the mic is to the person, the lower the comparative volume of ambient sound. Occasionally passers-by in the background or friendly, inquisitive dogs also halted proceedings. Generally we didn't mind a bit of background noise to give it a sense of place.
Do check out Harsha if you are thinking of getting some coaching, he is a most erudite gentleman, really knows how to listen and gets to the core of one's business or life challenges.
A few weeks ago I shot a commercial for Sidekicks, a recruitment company with a difference - and a mission. They wanted the video to champion the unsung heroes/heroines that are executive assistants and other admin support staff. Every successful CEO/director needs great support!
Likewise, shooting this was a team effort. Sam of Beyond the Slate helped out as well as shooting the behind-the-scenes footage. Ruby from Sidekicks kept us well fed as well as playing a character in the commercial.
I used an Arri 1.2k HMI in several scenes, mostly bounced off wall/ceiling to lift shadows, and a couple of LED panels for the darker scenes, plus reflectors, computer screens, office lamps, etc.
Shooting took most of a day, starting early afternoon and finishing late evening. Of course several days were spent in planning and editing. The shoot went well as a result of the preparation, despite the usual curve balls and compromises one gets in a film shoot, eg. last minute location changes.
The resulting commercial:
A few weeks ago I walked up Ben Nevis, Scotland, with a couple of friends. I shot this lifestyle travel video along the way.
We spent the night in the shelter on the summit, making us the 3 highest people in Britain for a night. My companions slept, I dozed for about 2 hours - the rest of the time I was doing timelapse, video and photos...
Ben was the main star obviously (video above), but I got some selfies along the way - this looping video below was taken with the iPhone on a little stand - iPhone 4K video in low-light was very good quality! If you look at the tripod (holding my Canon 5D MkIII) you can see I have it tied down to a bag which had BOULDERS weighing it down - it was extremely windy. The eagle-eyed might also spot that I have the camera on top of a small video tripod head screwed to a medium video head (which is in turn mounted on the tripod legs) - this allowed me to get some faux-slider/dolly effects without carrying an actual slider, as well as 3-axis movement for vertical shots. It didn't get much darker on the horizon than this either, being so far north and close to the longest day of the year.
Plus some levitation action - the altitude got me feeling a little zen I think...